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Pencil Drawings Crosses Biography
Cross was the third son born to English-born parents, Theophilus Edwin Cross, builder and architect,[1] and his wife Florence, née Stanbrough,[2] who met in Brisbane, married in Sydney then sought their fortune in the United States. His father hoped to make money there but only found work as a carpenter (he became secretary of the American Carpenters’ Union).[3] Cross was born on 3 December 1888 in Los Angeles, California. The family returned to Australia in 1892[4] when Stan was four years old and settled in Perth, Western Australia. Cross was a gifted student who attended Perth High School on a scholarship.[1] The University of Adelaide offered him a scholarship but Cross turned it down due to his father's ill-health.[2] He left school at sixteen and joined the State Government Railways Department as a clerical cadet.[4] He studied art for a number of years during the evenings at Perth Technical School. In 1912 at the age of twenty four,he resigned[1] from his job and with the financial assistance of his brother he travelled to London to study at St Martin's School,[5] during this time some of his cartoons were accepted by Punch.[4][3] Before sailing for England he exhibited his paintings and pen-and-ink works twice in Perth, the first with the West Australian Society of Arts at their 1913 Annual Exhibition, and the second in March 1914, with another Perth artist, Michael McKinlay.[1] On returning back to Perth he contributed freelance drawings to the Western Mail and The Sunday Times,[4] and whilst working as a railways draftsman in 1918 when he was offered a job by Ernie Brewer of Smith's Weekly at ₤5 a week. Cross accepted the position and moved to Sydney in 1919.[1]
On 31 July 1920 Cross' first comic strip, The Man Who Waited was published in Smith's Weekly, this was followed in the next week by the first episode of You & Me. Originally a satire featuring the characters, "Mr Pott" and "Whalesteeth", designed as a means of offering political comment. It was however quickly converted into a domestic humour strip. Cross continued to draw the weekly strip for nineteen years until he left Smith's in late December 1939 when the strip was taken over by Jim Russell in 1940 and renamed to Mr & Mrs Potts.[4]
On 17 November 1924 he married a 25-year-old clerk Jessie May Hamilton (d. 1972) at the Waverley Methodist Church, in Bondi Junction.[2]
In 1928 Cross introduced added another strip to Smith's Weekly, Smith's Vaudevillans, introducing the mis-matched characters of "Rhubarb", an alcoholic sailor, and "Norman", a fop who plays the straight man to his drunken partner.[4] Another Stan Cross success was the first "Dad and Dave" cartoons, also for Smith's Weekly.[6] The strip was a straight adaptation of the radio serial, which commenced in 1936, running for 2,276 episodes, before finishing in 1951.
During his time at Smith's Weekly Cross established a reputation as a skilled draftsman, particularly in the area of single-panel cartoons.[4] In the 29 July 1933 issue of Smith's Weekly Cross draw a cartoon featuring two men who had been working on top of a building construction. But there has been a mishap, for now one is hanging by his fingers from a girder at a frightening height over a street. His mate, to save himself, has firmly grabbed the trousers of the other, yanking them down over his ankles, and looking directly upwards is convulsed with laughter, while the other implores: ‘For gorsake, stop laughing: this is serious!’.[1] Editor Frank Marien immediately dubbed it "The Funniest Drawing in the World". Such was the popularity of the cartoon that it was reprinted on a quality paper and distributed throughout Australia and beyond, many being sent overseas. All through the Depression years, and after, these prints costing two shillings and sixpence were framed and hung on walls in work-places, hotel bars, barbers’ shops, even in some shop windows.[1]
Cross became Smith's Weeklys highest paid artist and second art editor. Short-run series he devised included: Things That Make Stan Cross (political and economic criticism), Places We Have Never Visited (Law Courts, Parliament, the players’ room at a test cricket match, etc.), Museum of the Future and Firsts in Australian History (the first barmaid, the first strike, the first football match).[3]
Towards the end of 1939 Smith's Weekly was in the financial trouble and Cross was induced by Keith Murdoch to join the (Melbourne) Herald. Capitalising on his reputation as a comic strip artist Cross was asked to create a newly daily strip. He published his most popular strip, The Winks on 20 April 1940.[4] For the first three months the strip employed a domestic comedy theme and was basically a toned down version of You & Me. The characters "Mr Wink" reflected the role of Mr Potts, while the tall, thin, long-faced was similar to his character, "Whalesteeth". In the initial stages these characters were given their own weekly strip, Tidley Winks & Wally.[4] The Winks was only moderately popular until Cross decided to change the strip's direction and take the main characters into the Army. Mr Winks became Major Winks on 15 July 1940 and the strip was renamed Wally and the Major.[4] Over the next thirty years in newspapers throughout Australia, New Zealand and Fiji, and in eighteen annual comic books (c.1943-60), readers were able to enjoy the extraordinary, knock-about adventures and lifestyle of Private Wally Higgins, Major Winks, Pudden Bensen and a company of comedy players—in the army in World War II and afterwards, and on their North Queensland sugarcane plantation.[2] He continued to produce the strip until failing eyesight forced him to get help with the drawings early in 1970. Carl Lyon started to ink in Cross' pencil drawings.[7] Later Lyon took over all the drawing with Cross writing the stories and eve ntually took over complely when Cross retired later that year.[2]
He was a foundation member and served as president of the Black and White Artists Society (later Club), Sydney from 1931 to 1954.[3][7] Their annual trophy "The Stanley" was named for him, with the award taking the shape of the figures in his classic cartoon, "For gorsake, stop laughing: this is serious".[7][8]
Cross also wrote books on accountancy, economics and English grammar[7] and treatises on soil conservation. He painted watercolours and there is some speculation that Cross and George Finey held the first exhibition at David Jones’s Art Gallery.[3] In 1970 he retired from the Melbourne Herald and joined his family at Armidale, New South Waleswhere he died on 16 June 1977 at the age of eighty eight.[2] The epitaph on his tombstone reads, 'Stop laughing, this is serious’.[3]
Pencil Drawings Crosses Biography
Cross was the third son born to English-born parents, Theophilus Edwin Cross, builder and architect,[1] and his wife Florence, née Stanbrough,[2] who met in Brisbane, married in Sydney then sought their fortune in the United States. His father hoped to make money there but only found work as a carpenter (he became secretary of the American Carpenters’ Union).[3] Cross was born on 3 December 1888 in Los Angeles, California. The family returned to Australia in 1892[4] when Stan was four years old and settled in Perth, Western Australia. Cross was a gifted student who attended Perth High School on a scholarship.[1] The University of Adelaide offered him a scholarship but Cross turned it down due to his father's ill-health.[2] He left school at sixteen and joined the State Government Railways Department as a clerical cadet.[4] He studied art for a number of years during the evenings at Perth Technical School. In 1912 at the age of twenty four,he resigned[1] from his job and with the financial assistance of his brother he travelled to London to study at St Martin's School,[5] during this time some of his cartoons were accepted by Punch.[4][3] Before sailing for England he exhibited his paintings and pen-and-ink works twice in Perth, the first with the West Australian Society of Arts at their 1913 Annual Exhibition, and the second in March 1914, with another Perth artist, Michael McKinlay.[1] On returning back to Perth he contributed freelance drawings to the Western Mail and The Sunday Times,[4] and whilst working as a railways draftsman in 1918 when he was offered a job by Ernie Brewer of Smith's Weekly at ₤5 a week. Cross accepted the position and moved to Sydney in 1919.[1]
On 31 July 1920 Cross' first comic strip, The Man Who Waited was published in Smith's Weekly, this was followed in the next week by the first episode of You & Me. Originally a satire featuring the characters, "Mr Pott" and "Whalesteeth", designed as a means of offering political comment. It was however quickly converted into a domestic humour strip. Cross continued to draw the weekly strip for nineteen years until he left Smith's in late December 1939 when the strip was taken over by Jim Russell in 1940 and renamed to Mr & Mrs Potts.[4]
On 17 November 1924 he married a 25-year-old clerk Jessie May Hamilton (d. 1972) at the Waverley Methodist Church, in Bondi Junction.[2]
In 1928 Cross introduced added another strip to Smith's Weekly, Smith's Vaudevillans, introducing the mis-matched characters of "Rhubarb", an alcoholic sailor, and "Norman", a fop who plays the straight man to his drunken partner.[4] Another Stan Cross success was the first "Dad and Dave" cartoons, also for Smith's Weekly.[6] The strip was a straight adaptation of the radio serial, which commenced in 1936, running for 2,276 episodes, before finishing in 1951.
During his time at Smith's Weekly Cross established a reputation as a skilled draftsman, particularly in the area of single-panel cartoons.[4] In the 29 July 1933 issue of Smith's Weekly Cross draw a cartoon featuring two men who had been working on top of a building construction. But there has been a mishap, for now one is hanging by his fingers from a girder at a frightening height over a street. His mate, to save himself, has firmly grabbed the trousers of the other, yanking them down over his ankles, and looking directly upwards is convulsed with laughter, while the other implores: ‘For gorsake, stop laughing: this is serious!’.[1] Editor Frank Marien immediately dubbed it "The Funniest Drawing in the World". Such was the popularity of the cartoon that it was reprinted on a quality paper and distributed throughout Australia and beyond, many being sent overseas. All through the Depression years, and after, these prints costing two shillings and sixpence were framed and hung on walls in work-places, hotel bars, barbers’ shops, even in some shop windows.[1]
Cross became Smith's Weeklys highest paid artist and second art editor. Short-run series he devised included: Things That Make Stan Cross (political and economic criticism), Places We Have Never Visited (Law Courts, Parliament, the players’ room at a test cricket match, etc.), Museum of the Future and Firsts in Australian History (the first barmaid, the first strike, the first football match).[3]
Towards the end of 1939 Smith's Weekly was in the financial trouble and Cross was induced by Keith Murdoch to join the (Melbourne) Herald. Capitalising on his reputation as a comic strip artist Cross was asked to create a newly daily strip. He published his most popular strip, The Winks on 20 April 1940.[4] For the first three months the strip employed a domestic comedy theme and was basically a toned down version of You & Me. The characters "Mr Wink" reflected the role of Mr Potts, while the tall, thin, long-faced was similar to his character, "Whalesteeth". In the initial stages these characters were given their own weekly strip, Tidley Winks & Wally.[4] The Winks was only moderately popular until Cross decided to change the strip's direction and take the main characters into the Army. Mr Winks became Major Winks on 15 July 1940 and the strip was renamed Wally and the Major.[4] Over the next thirty years in newspapers throughout Australia, New Zealand and Fiji, and in eighteen annual comic books (c.1943-60), readers were able to enjoy the extraordinary, knock-about adventures and lifestyle of Private Wally Higgins, Major Winks, Pudden Bensen and a company of comedy players—in the army in World War II and afterwards, and on their North Queensland sugarcane plantation.[2] He continued to produce the strip until failing eyesight forced him to get help with the drawings early in 1970. Carl Lyon started to ink in Cross' pencil drawings.[7] Later Lyon took over all the drawing with Cross writing the stories and eve ntually took over complely when Cross retired later that year.[2]
He was a foundation member and served as president of the Black and White Artists Society (later Club), Sydney from 1931 to 1954.[3][7] Their annual trophy "The Stanley" was named for him, with the award taking the shape of the figures in his classic cartoon, "For gorsake, stop laughing: this is serious".[7][8]
Cross also wrote books on accountancy, economics and English grammar[7] and treatises on soil conservation. He painted watercolours and there is some speculation that Cross and George Finey held the first exhibition at David Jones’s Art Gallery.[3] In 1970 he retired from the Melbourne Herald and joined his family at Armidale, New South Waleswhere he died on 16 June 1977 at the age of eighty eight.[2] The epitaph on his tombstone reads, 'Stop laughing, this is serious’.[3]
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Tribal Cross Tattoos
Drawing - Yuuki Cross
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